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While brawlers with shotguns and SMGs keep the zombies at bay, support players can use explosives and rifles to thin out the horde at its source. It’s here that the combat system demonstrates depths that aren’t plumbed by the campaign. In the multiplayer mode, up to five players can jump into ten different combat missions, cooperatively taking on hordes of zombies. The only duds on offer are the sniper rifles, since there simply aren’t many situations that call for long-range combat. There’s no need to memorize gun names or go scrolling through stats – weapons have either one or two powers (bonus attack strength, piercing, knockdown, or the all-powerful dismemberment) and the clear labeling system makes it a snap for players to always grab the exact gun they need for any situation.

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Each weapon also has a two-letter code after its name, letting players immediately identify what that gun’s special abilities are. The heroines can equip everything from handguns to sniper rifles, each with their own strengths and weaknesses when it comes to clip size, reload time, and firepower. The available arsenal is huge, but it’s manageable and simple to understand. The total map size is quite modest, but the devs have done a stellar job of building levels out of logically restricted slices of the grounds, creating the impression that the school is a good deal larger than it actually is. It took me about ten hours to get through the entire campaign, and the pace never flagged, nor did I ever feel like I was playing the same level over and over. For example, there are key zombies that must be killed to unlock pathways, huge zombie-summoning gates to destroy, even hidden zombie birds that players can track down to unlock new hair colors and rocket launchers. SG/ZH does a great job of constantly mixing up the action, both by regularly unleashing new types of zombies and challenging players with surprising obstacles. The action is constant and frenetic, with zombies spawning in quantities high enough to test the limits of players’ unlimited ammunition. The missions are bite-sized, almost all taking place within a limited section of the school grounds, and lasting no more than ten minutes. Once the girls have been equipped with a variety of weapons and dressed to the player’s taste, they set off on missions ranging from exploration to zombie extermination to base defense. Over 30 story levels, players control each of the heroines multiple times for simple third-person shooter action.

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Why are the zombies attacking? What is the hooded man’s plan? How did no one notice that the school was built atop what appears to be an alien spaceship full of zombie-generating machines? None of these questions will ever be satisfactorily answered, because the game is far more concerned with its heroines’ various emotional problems, and how they use the catalyst of a zombie apocalypse to face and overcome them. A high school is being besieged by zombie horde led by a mysterious hooded figure. The adventure begins with remarkably little context. Well, the attack is here, and it’s glorious. It’s the kind of game that wears its insanity on its sleeve, positing a world where students – in addition to their regular studies and club activities – are issued official school weaponry and trained to use it in preparation for an inevitable attack by zombies. It delivers perfectly on its title, offering interpersonal drama between teenagers that fire assault rifles at zombies.

School Girl/Zombie Hunter is exactly what it says it is, and not one bit more. LOW Auto-aim weapons frequently target enemies on the other side of floors or ceilings.